ARTICLES
2017 December
Delta Zhi:《Tiffany Chung及田中功起編織香港近代史》
Ming Pao:《藝術奇人夏碧泉 留住香港半世紀變幻》
2017 November
Post Magazine: “Exhibition celebrates late Hong Kong artist Ha Bik-chuen”
Post Magazine: “Setting the Zine”
Stand News:《田中功起：盼藉藝術延長剎那烏托邦》
Art Asia Pacific: “Spectrosynthesis”
2017 October
South China Morning Post: “Taboo, or not taboo”
Artomity: “Ha Bik Chuen”
Artomity: “The Un/Safe Reading of Spectrosynthesis – Asian LGBTQ Issues and Art Now”
2017 September
HK01: 《解放藝術！Spring Workshop給你一個遊樂場》
2017 May
Southside Magazine: “Spring Workshop Set To Close”
2017 April
City Magazine: “Music is not…”
2017 March
LEAP: “Interview with Christina Li”
Frieze: “Critic’s Guide : Hong Kong”
South China Morning Post: “Musical Swansong for Workshop”
Life Style Journal: 《藝術在乎相遇》
Stand News: 《去辦公室聽音樂？》
Stand News: 《Spring Workshop 暫別在即》
2017 February
Ocula Conversations: “Wu Tsang”
2017 January
Yishu: “A Conversation with Wong Wai Yin”
2016 December
Art Forum: “Wu Tsang”
Milk: “Winter Sublet”
slow words: “Stationary”
2016 November
Art Plus: 《評黃慧妍個展》
2016 October
LEAP: “Without Trying”
City Magazine: 《不要太努力讓事情發生。》
2016 September
Art Forum: “Without Trying”
Artomity: “Without Trying”
Artomity: “Collector”
Post Magazine: “Mum’s the word”
Ming Pao:《黃慧妍藝術蛻變 建金字塔葬舊作》
Delta Zhi:《黃慧妍：「從藝術家到母親，要恐懼的事可不少」》
Stand News: 《專訪黃慧妍》
Milk: 《五年之癢 不要太努力讓事情發生》
2016 August
South China Morning Post: “Doris Wong takes on her worst fears in her latest exhibition”
Timeout Hong Kong: “Interview with Doris Wong Wai-yin”
Hausmag: “Conquering Fears | ‘Without Trying’ By Wong Wai Yin”
Singtao Daily: 《黃慧妍 怕什麼？》
Stand News: 《不要太努力讓事情發生。》
2016 June
Openhouse: “HK Farm – City Seeds”
2016 May
Artomity: “Wu Tsang”
Art Asia Pacific: “Duilian”
Yishu: “Real Human: Wu Tsang in Conversation“
Art Plus: 《愛與華何如此情重》
2016 April
Ocula: “A conversation with Wu Tsang”
Art Investment: 《培養藝術的花圃》
Paroles: “Duilian”
Kaleidoscope Asia: “Interview with Minds Behind Spring Workshop”
The Standard: “Identity Crisis Now and Then”
2016 March
City Magazine: “Wu Tsang”
LEAP: “Wu Tsang : A Life in Process”
Timout Hong Kong: “The Shape of Art to Come “
South China Morning Post: “Sights to behold”
The Good Life: “Wu Tsang”
Stand News: “Interview with Wu Tsang”
Artsy: “In Her New Film, Wu Tsang Unveils the Queer History of One of China’s Most Famous Poets”
Timeout Hong Kong: “The Shape of Art to Come”
The Wanderlister: “Chinese-ness Underpins Works By Foreigners”
Hong Kong Moms: “Interview with Mimi Brown”
2016 January
Art Radar: “The Prudential Eye Awards 2016”
2015 December
Timeout Hong Kong: “Poetry In Motion”
Kaleidoscope: “Wu Tsang”
Paroles: “Spring workshop à Wong Chuk Hang”
2015 September
Southside Magazine: “Wong Chuk Hang Uncovered”
2015 June
Baccarat Magazine: “Calling Hong Kong Art Curators”
Eat and Travel Weekly:《工廈栽種春天》
The Good Life: “Art & fiction”
2015 April
The Peak: “Time to obey”
Art World:《”藝術聯覺”之下的日常體驗》
2015 March
Art Asia Pacific: “Days push off into nights”
a.m. post: “Contemplative streaks riddle day and night”
Art Forum: “Days push off into nights”
Artinfo: “Christina Li on Days push off into nights”
Hong Kong Economic Journal: “Days push off into nights”
City Magazine: “Incubation Lab – Spring Workshop”
Hong Kong Tatler: “Insider Itinerary – Mimi Brown”
Timeout Hong Kong: “The Write Way – Christina Li”
South China Morning Post: “Hong Kong homecoming for art space curator”
Art Review Asia: “Ming Wong”
2015 February
South China Morning Post: “Minority Reports”
Ming Pao Weekly: “Days push off into nights”
48 Hours: “Just A Matter of Time”
Takungpao: “Days push off into nights”
2015 January
Indesignlive Hong Kong: “In Conversation: ESKYIU”
2014 December
Landmark Hong Kong: “State of The Arts”
2014 November
The Art Newspaper: “Islands Off the Shores of Asia”
Art Forum: “Islands Off the Shores of Asia”
2014 October
The Art Newspaper: “Spring Workshop”
City Magazine: “HK FARM”
Sing Tao Daily: “HK FARM”
South China Morning Post: “Islands Off the Shores of Asia”
Ming Pao: “Islands Off the Shores of Asia”
Timeout Hong Kong: “Occupying islands”
2014 September
Art Review Asia: “The Permeability of Certain Matters”
YiShu: “Moderation(s)”
Art Investment:《引發焦慮的亞洲離岸島》
LEAP: “The Part In The Story Where A Part Becomes A Part of Something Else”
2014 August
SFQA: “Mimi Brown, Founder and Director, Spring Workshop”
2014 July
Perspective: “Tell-Tale Patterns”
Artinfo: “Moderation(s)”: Between Rotterdam and Hong Kong”
2014 June
Ming Pao:《復興印度抗爭歌 原來可以是情歌》
2014 May
Timeout Hong Kong: “Women in the Arts”
Timeout Hong Kong: “Ming Wong | Sci-fi xiqu”
Art Asia Pacific: “A Contract For Critical Thought”
48 Hours: “Pattern of Abuse”
2014 April
Vault: “A World of Their Own Design Women Making a Difference To The Arts In Hong Kong”
2014 February
South China Morning Post: “Ming Wong: The New Old School”
The House News: 《香港藝壇床下底與星光》
2013 November
Artinfo: “Artists Weave Stories In A Fictional Residency”
a.m. post: “A Young Collector’s Guide”
2013 October
48hours: “The Social Contract”
Timeout Hong Kong: “Interview with A Constructed World”
2013 August
Art Radar Asia: “Mapping the world, Hong Kong’s Spring Workshop hosts Qiu Zhijie”
2013 July
Artinfo: “Artists Weave Stories In A Fictional Residency”
Art Asia Pacific: “A Fictional Residency In Hong Kong”
Ocula: ”Moderation(s):A Fictional Residency at Spring Workshop”
2013 May
Hong Kong Tatler: “Art Spring Eternal”
Prestige Hong Kong: “Mimi Brown, Creative Capital”
Artinfo: “Qiu Zhijie, Making Maps Against the Madness of the World”
2013 April
China Daily: “Gentrification Repaints Wong Chuk Hang”
2013 March
Artinfo: “Very Real Fake Nature in the ‘Industrial Forest’ Installation”
Art Asia Pacific: “Incidents of Travel: Samson Young”
2013 February
Randian: “Spring Workshop’s Time Moderation(s)”
Art Asia Pacific: “Spring Workshop and Moderations”
2013 January
South China Morning Post: “Spring into Action”
Artinfo: “Moderation(s): Witte de With and Spring Workshop In Year-long Collaboration”
South China Morning Post: “Highly Irregular”
2012 October
The Boston Globe: “Old Hickory, rocking out, in ‘Bloody Bloody Andrew Jackson’ at SpeakEasy
2012 September
South China Morning Post: “Order and chaos, the calm art of Heman Chong does not reflect the disorder in his life”
2012 January
South China Morning Post: “Witching Hour”
Art Radar Asia: “Yang Fudong’s Video Installations a Contemporary Form of Chinese Hand Scrolls”
Artinfo: “Chinese Video Art Star Yang Fudong on His Meditative New Film Noir, Fifth Night”
PRESS RELEASES
2017 October
Spring Workshop announces final cycle of activities for A Collective Present
2017 February
Announcement of Ari Benjamin Meyers to Bring Music to Arts Organizations Across Hong Kong
2017 January
Spring Workshop’s Last Year to Focus on Dissolving the Schism Between Art and Music
2016 November
Announcement of the Founding of the Kunsthalle for Music
Calla Henkel and Max Pitegoff: Winter Sublet
2016 August
Without Trying by Wong Wai Yin (2)
2016 June
Without Trying by Wong Wai Yin (1)
2016 April
HK FARMers’ Almanac
2016 February
Wu Tsang’s World Premiere of Duilian at Spring Workshop (2)
2015 December
Wu Tsang’s World Premiere of Duilian at Spring Workshop (1)
2015 September
Des hôtes: a foreigner, a human, an unexpected visitor Exhibition curated by Christina Li
2015 February
Stationary co-edited by Christina Li and Heman Chong
Days push off into nights Exhibition curated by Christina Li (2)
2015 January
Days push off into nights Exhibition curated by Christina Li (1)
2014 September
Island Off the Shore of Asia Exhibition co-presented with Para Site (2)
2014 August
Island Off the Shore of Asia Exhibition co-presented with Para Site (1)
2014 May
Moderation(s): The Part In The Story Where A Part Becomes A Part Of Something Else
2013 September
The Social Contract Exhibition by A Constructed World
2013 June
Summer Program for The Universe of Naming Exhibition by Qiu Zhijie
Moderation(s): A Fictional Residency
2013 May
The Universe of Naming Exhibition by Qiu Zhijie
2013 February
Moderation(s) Launch: Incidents of Travel by Latitudes
2012 October
Adventures in Reality: A Musical Soirée with writer/composer Michael Friedman
2012 August
Taiping Tianguo performances program by Xavier Le Roy, Melati Suryodarmo and Zan Yamashita
Moderation(s): Guilty Pleasures by Ang Song Ming
2011 December
Hong Kong Premiere:
Yang Fudong’s epic seven-screen installation, The Fifth Night
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